Jim C. Hines is mostly known as author of his Goblin-books. At the beginning of this year the first installment of his new fantasy-series hit the shelves: The Stepsister Schemes is said to combine elements from various fairy tales with kick ass-heroines like the famous Charlies Angels.
I am happy that he found time to do that interview.
Interview with Jim C. Hines
Maybe we could start with you introducing yourself in a few sentences?
Any plans for a German translation already?
As a matter of fact, Bastei Lubbe, the publisher who translated my goblin books, has made an offer on The Stepsister Scheme as well. I don’t have a release date yet, but they did a beautiful job on the goblins, and I can’t wait to see the German edition of Stepsister.
Why did you decide to dive into fairy tale plots to create the story for your new novel (series)?
I think that depends. I try to keep all of my characters interesting. If I get bored writing a character, it’s a pretty safe bet that my readers will be bored as well. I probably have the most fun with characters that blur the line between good and evil. Jig the goblin is a pretty good example. He’s no villain, but if you called him a hero he’d probably throw things at you.
Can you rememeber what your first story (or novel) was about? And how did you realize you have a talent for writing?
How long did it take you to write both your first book and now your newest one?
Do you have one favorite scene in all your books, or one you’re really proud of?
I’m very proud of the scene at the end of first goblin book when Jig thinks he’s lost his pet fire-spider. I don’t actually like spiders, but I got quite emotional while writing that scene, and I’ve had people tell me they cried at that part. Being able to make readers cry over a spider? I figure I wrote that one right.
Maybe you could tell us a little bit about your progress of writing a novel: How’s an ordinary working day like?
Anything you really loathe during the creation of a novel?
For some reason, every time I get to about 30,000 words in the first draft, everything falls apart. I lose track of plotlines, or I find that a character isn’t working, or I change my mind about a major element of the book. One way or another, every book crashes at that spot. I’m at that point on my current book, and I’m completely lost about where to go next. The only thing that helps is knowing this is normal for me, and I eventually figure it out and finish the darn thing.
What do you feel is the key element in creating vivid worlds?
Probably just taking the time to ask questions. I’m working on developing Talia’s home country of Arathea for the third princess book right now. I started with a big empty map, and I knew it was a desert country, which leads to questions like what do they wear? Where do they live? Is water shared among all who need it, or hoarded as a valuable resource? What are the buildings made from? What effect does magic have on it all? How similar or different is it from desert cultures in our own world?
Research is the other piece. As I’m asking these questions, I’m also reading about how other cultures have adapted to desert conditions. Quite often, the things I might invent are much less interesting than what people have actually come up with.
Does your publisher ask or even demand that you make rapid changes on your books? Have you ever had to make dramatic changes?
Right now, I’m contracted to do two more books to follow The Stepsister Scheme. The Mermaid’s Madness, is already turned in, and I’m currently working on book three, tentatively called Red Hood’s Revenge. I’d like to write five books in the series, but we’ll see how things go.
[Note: In the meantime Jim Hines announced at his blog that he is already contracted for a fourth book in that series, Secret of the Snow Queen].
That’s a good question. I’ll continue to mess with Snow, Sleeping Beauty, and Cinderella, of course. The Little Mermaid gets a turn in book two, and then Red Riding Hood comes along in book three. I have an idea for book four (assuming the publisher wants further books), but it’s not completely worked out yet. And book five, if I do it, is completely up in the air right now
Is there a novel (from another author) you wish you had written?
If you could meet a fictional character from your own work, who should it be and why?
Given what I put my characters through, I suspect the first thing they’d do upon meeting me is punch me square in the face. So if I was going to meet one from my own work, I’d probably have to pick Danielle from The Stepsister Scheme, because she’s the most forgiving and the least likely to go for the face punch.
Thank you so much for doing that interview, Jim. And of course all the best both for your private and business life!
Jim C. Hines website can be found here!
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